In this work human figures are as unique given material and treated as pure shapes, a color dot, a surface, in the reality of painting, which is similar as the function of a square shape. It is the unique texture and mass these figures interest me, not their emotional social characters. A human figure in painting does not indicate a person in our reality, as it is transformed into another material to construct a new logic of this new reality in painting, i.e. carbon based life forms is different than the 2 dimensional painted metaphor of such a life form. I recognize them as patterns. And in the restriction of given information on paper, to erase any detail that contains unrelated information by creating thick layers of painted shapes, to produce a manipulated organic structure. To erase something is to create something else at the same time; the creation is based on the deconstruction, vice versa. The artificial shapes are real entities in the form of painting, but also imaginary aura in the content.

A psychological artifact solely existing upon the possibility of painting language, in which content and form merging becomes a delusive state of mind of such a virtual reality activates human consciousness. Our activated consciousness (by confronting with these paintings) does not necessarily have a story-telling line or a goal to rationalize what we perceive. It functions as a demonstration, a possibility, a path, and a chance for reaching out what is lying behind daily life in social reality: the perceiving ability leads to human psyche yet allows us to dive into our very own personal reality (in which we would discover great similarities among the others). As unlimited human consciousness, the work is endless, without any judgment or distinction towards neither intellectual brain-work criteria nor separated sentimental emotion. This tactile reality, this atmosphere and this energy are united life supply which painting as visual art can give back to us.