Ana María Gómez López
Born Minneapolis (US), 1981
 
'Punctum', v.5, 2018. Photograph by Pamela Jordan 'Punctum', v.5, 2018. Photograph by Pamela Jordan

Self-experimentation is central in the work of Ana María Gómez López--the longstanding medical tradition where scientists test treatments, remedies, and prototypes on themselves. In addition to her archival research in the history of science and related disciplines, the artist (together with specialized medical collaborators) carries out such experiments on herself. For example, she examined whether a botanical organism could survive on her hand with the surface moisture of her skin, a project that led her to successfully plant and germinate a seed in her eye. In her current project Punctum (v.5), Gómez López attempts to create an external circulation of blood through artificial means outside of her body.
 
Gómez López carries this out first by combining existing instruments such as silicone tubes, needles, and other fitted aids that operate together. She produces these tools herself when the correct designs are not available or do not yet exist. In her studio she shows these objects together with a personalized handmade table where she performs her continuous research. The embodied research is then carried out within a restricted circle of people, as in an operating theatre or laboratory: after all, Punctum is not a performance. Gómez López deploys the medical instruments on display alongside other specialized elements to contribute to explorations of the human body in relation to an environment, as well as to expand the limits of accepted disciplinary standards and social conventions around this theme.