Timo Demollin

NL, 1988
  • resident
    • 2022 – 2024

“I work with materials from industries, infrastructures, and institutions that are nominally public yet privately administered. This economic condition prefigures social struggles for control, community and public power, as well as questions about funding and governance structures. I see making artworks in our time as propositional forms for mediating the ways both society and art itself are articulated, captured, subjugated, and ultimately dismantled by forces that traverse society to remake it in the neoliberal image of the market.”

Open Archive

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Visit (1883–2020), 2020, sixteen souvenir prints and a map of the International Colonial and Export Trade Exhibition from the set 'Herinnering aan Amsterdam' (library collection Stedelijk Museum, copy number: 2017/2740; shelfmark: Doos WTT 4; technique: chromolithography; print maker: anonymous; printer: Emrik & Binger; publisher: Het Nieuws van den Dag), frames from the Stedelijk Museum inventory, custom mat boards. Installation view In the Presence of Absence. Proposals for the Museum Collection, Stedelijk Museum Amsterdam, September 5–December 14, 2020
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Installation view Open Studios 2024
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Intermodal Solidarity (Main Partner), 2024, bent and painted corten steel sheet, painted steel frame, rust
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Resource (OPTAS), 2024, pages from De infrastructuur van de Rotterdamse haven. The infrastructure of the Port of Rotterdam (2011) and Pensioenmiljoenen. De strijd om het pensioengeld van de havens (2015) on laser-cut and spot welded steel sheet, magnets
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Resource (TATA), 2024, pages from De geschiedenis van het ijzer- en staalmaken in IJmuiden 1918-2008 (2008) on laser-cut and spot welded steel sheet, magnets
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Nodes 1:500, 2024, laser-cut, bent and welded steel sheet product by Tata Steel IJmuiden used in truck chassis manufacturing, repurposed wooden pallet
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Nodes 1:500, 2024, laser-cut, bent and welded steel sheet product by Tata Steel IJmuiden used in truck chassis manufacturing, repurposed wooden pallet
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Unsettled Soils (ShakeMaps 2.0), 2024, crushed and ground coal, coke, anthracite, bitumen
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Unsettled Soils (Loppersum 3.2), 2024, crushed and ground coal, coke, anthracite, bitumen
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Resource (NAM), 2024, pages from Gasaardig (1984) and NEHA-jaarboek voor economische, bedrijfs- en techniekgeschiedenis, 59 (1996) on laser-cut and spot welded steel sheet, magnets
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Installation view Open Studios 2024
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Installation view Open Studios 2024
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Slide from: Fact of Life, 2024, color slides with photographs by H. de Muinck, black and white slides with text from ‘Dutch Drowning Syndrome’ (1998) by M. W. van der Sluis, on two slide projectors
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Slide from: Fact of Life, 2024, color slides with photographs by H. de Muinck, black and white slides with text from ‘Dutch Drowning Syndrome’ (1998) by M. W. van der Sluis, on two slide projectors
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Met wysheid gezaaid, in zegen geoogst, 2023, jack, sickle, knapsack sprayer, illuminated sign
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Met wysheid gezaaid, in zegen geoogst, 2023, jack, sickle, knapsack sprayer, illuminated sign
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Studio presentation
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Lift to release, 2023; Retention, 2023
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Lift to release, 2023, cargo lock from KLM Boeing 747-406M combi aircraft replacing door fittings
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Retention, 2023, embossed figures in aluminium parts of aircraft containers manufactured for KLM, aluminium train interior frames manufactured for NS
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Will, 2023, risograph on paper, unlimited edition
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Enclosure, 2023, track circuit junction box manufactured by NS Materieel for NS, track circuit junction box manufactured by VRS Railway Industry for ProRail, paintjob, electrical cabling
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Installation view Open Studios 2023
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Double Movement, 2023, two-channel video (colour, sound) on modular LED display, 60 min., looped
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Claim, 2023, suitcases previously handled at Amsterdam Airport Schiphol, sourced among Rijksakademie resident artists
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Holding, 2023, stainless steel tube manufactured for NedTrain, welded to guardrail facing the office of Director Strategy and Development at Rijksakademie
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Holding, 2023, stainless steel tube manufactured for NedTrain, welded to guardrail facing the office of Director Strategy and Development at Rijksakademie
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Turns, 2022, hand-turned spruce, hand-turned plane, CNC-turned and CNC-milled yellow poplar, hand-turned larch, hand-turned and CNC-milled mahogany, hand-turned elm Manufactured by local woodturners (Maarten den Breeijen, Marisa Klaster, Doornekamp Wood Specials, Tijn Remmerswaal, Woodwave, Jasper Kaarsemaker). Installation view, Stedelijk Museum Schiedam, 2022
td-2020-visit4.jpg
Visit (1883–2020), 2020, sixteen souvenir prints and a map of the International Colonial and Export Trade Exhibition from the set 'Herinnering aan Amsterdam' (library collection Stedelijk Museum, copy number: 2017/2740; shelfmark: Doos WTT 4; technique: chromolithography; print maker: anonymous; printer: Emrik & Binger; publisher: Het Nieuws van den Dag), frames from the Stedelijk Museum inventory, custom mat boards. Installation view In the Presence of Absence. Proposals for the Museum Collection, Stedelijk Museum Amsterdam, September 5–December 14, 2020
td-2020-visit3.jpg
Visit (1883–2020), 2020, sixteen souvenir prints and a map of the International Colonial and Export Trade Exhibition from the set 'Herinnering aan Amsterdam' (library collection Stedelijk Museum, copy number: 2017/2740; shelfmark: Doos WTT 4; technique: chromolithography; print maker: anonymous; printer: Emrik & Binger; publisher: Het Nieuws van den Dag), frames from the Stedelijk Museum inventory, custom mat boards. Installation view In the Presence of Absence. Proposals for the Museum Collection, Stedelijk Museum Amsterdam, September 5–December 14, 2020
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Insurable Interest (No. 45), 2019, DLP exposed chemicals on canvas, nine parts, 152 × 152 cm each. Installation view Re:Re:Re:, AG, Utrecht, September 11–October 9, 2021. (Top-right corner: Annabelle Binnerts, Familiar words passing similar lips / The same song sung by a different tongue / An argument between two identical voices, 2021)
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Foundation, 2018, concrete foundation piles, pavilion closed for the duration of the exhibition as a safety measure to prevent shear failure of the building’s foundation from additional weight. Installation view Foundation, Rietveld Pavilion, Amsterdam, March 15–17, 2018

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