Hsu Che-Yu

TW, 1985
  • resident
    • 2022 – 2024

Hsu Che-Yu obtained a master’s degree from the Graduate Institute of Plastic Arts, Tainan National University of the Arts (Taiwan). Since 2019, he had participated in the residency program in HISK (Ghent, 2019–2020) and Le Fresnoy – Studio national des arts contemporains (Tourcoing, 2020–2022). Hsu works as an artist who primarily creates animations, videos, and installations that feature the relations between media and memories. What matters to the artist is not simply the history of events traceable through media, but also the construction and visualization of memories, be they private or collective.

Hsu has solo exhibitions at Liang Gallery (Taipei, 2022), Vanguard Gallery (Shanghai, 2020), Taipei Fine Arts Museum (2015), Kuandu Museum of Fine Arts (Taipei, 2012), SAT Society for Arts and Technology (Montreal, 2012). He has participated in the Bienal de São Paulo (2021), Seoul Mediacity Biennale (2021), Sonsbeek20→24 Quadrennial public program (2021), Actually the Dead Are Not Dead: Techniques of Becoming (Württembergischer Kunstverein, Stuttgart, 2021), VIDEONALE.18 (2021), Shanghai Biennale (2018), London Design Biennale (2018), Asian Art Biennial (Taichung, 2017), and film festivals IFFR International Film Festival Rotterdam (2023, 2022, 2020, 2018), NYFF New York Film Festival (2020). He was awarded Videonale Award of the Fluentum Collection (Kunstmuseum Bonn, 2021), Loop Barcelona Video Art Production Award (Han Nefkens Foundation, 2020), Taishin Annual Grand Prize (Taishin Bank Foundation for Arts and Culture, 2016), Finalist for HUGO BOSS ASIA ART (2019). 

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The Making of Crime Scenes.jpg
Hsu Che-Yu, ‘The Making of Crime Scenes’, 2021, 21'56''
Zoo Hypothesis.jpg
Zoo Hypothesis
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