Rijksakademie
Open Studios 2025
  • –

Lili Huston-Herterich

US/CA, 1988
  • resident
    • 2023 – 2025

Lili Huston-Herterich has a situated practice both materially and conceptually: she works with what she is in close vicinity to in order to develop a dialogue from her current position historically, geographically, and economically. She is conscious of her role as a maker in a cultural context of excess, and uses capitalist culture's flotsam and jetsam to create work that reflects a dependency on her present conditions.

Her studio practice focuses on personal and political lineages of information – specifically on improvisational and dialogue-based methods of knowledge transmission. For the past two years in residence at the Rijksakademie, she has focused her research on puppetry, and most recently followed a course in object-based therapeutic practices. Through this research, puppetry has emerged as a tool in her practice to incorporate voice, dialogue, and improvisation.

Alongside puppetry, Lili works in video, sound, drawing, sculpture, and performance.

DEPENDENCIES

My work does not exist in a vacuum; it relies on many contexts, people, resources, and otherwise to persist. This is an unfinished list of those who I was/am dependent on in the process of making artistic work.

Pushing Up Daisies, 2025
Kees Reedijk, technical guidance
Tchelet Pearl Weisstub, performance and concept council
Zahra Mohseni, dramaturgy, performer
Aline Almeida Olmos, second eye, performer
Anouk Vollers, studio assistance
UNIMA International Puppet Therapy Training
Mariana Aboim, ultimate support
Fellow residents at Rijksakademie, feedback and emotional support

The Treasury, 2024
Asa Derks, cinematographer in Spring Green
Julia van Dijck, quilt-making accomplice
Julia Dahee Hong, production manager
Glorya Avgust, puppeteer
Kotryna Buruckaitė, puppeteer
Rick Geene, puppeteer
Kyle Tryhorn, puppeteer
Bonnie Allen, interviewee
Sally Jacobsen, interviewee
Paula Washow, interviewee
Dave Owens, interviewee
Joan Zieger, interviewee
Karin Miller, Spring Green General Store
Megan Bond, Spring Green Public Library
Reunion Restaurant in Spring Green
Mauricio van Der Maesen de Sombreff, technical support
Hannah Rose Whittle & Marianne Peijnenburg, ceramic support
Caetano, technical support
Yael Davids, voiceover
Taylor Lemelle, writing support
Reyhan Lál, puppetry partner
Timo Demollin, text support
Mariana Aboim, ultimate support
Fellow residents at Rijksakademie, feedback and emotional support

Open Archive

LHH_2023_KeepingTime_33.jpg
Portrait: Dumm, hand-printed and sewn chromogenic prints from 35mm film (photo: Em Moore), Zalucky Contemporary
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Pushing Up Daisies, performance with a two-sided puppet, 2025
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American Yoga, graphite drawing, 2025
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An Entrance, digital video, 2025
LHH_TheTreasury_FotoKaiWernerSchmidt_Philara_8.jpg
We're In The Money, welded steel, 2024
LHH_2024_MeetingofaLindenTree_FotoKaiWernerSchmidt_Philara_05.jpg
Meeting of a Linden Tree, sound work with existing marionettes, 2024
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Reading A Painting, video, 2024
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Stop the genocide, Free free Palestine
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The Treasury, Open Studio 2024, Rijksakademie (photo: Sander Van Wettum)
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Bank Quilt (The Treasury), Open Studio 2024, Rijksakademie
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The Treasury, Open Studio 2024, Rijksakademie (photo: Sander Van Wettum)
LR.RijksOpen2024.Lili.Huston-Herterich.photo.by.sandervanwettum.05.jpg
The Treasury, Open Studio 2024, Rijksakademie (photo: Sander Van Wettum)
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The Treasury, 2-channel video, 2024
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still, ‘The Treasury’, 2-channel video, 2024
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still, ‘The Treasury’, 2-channel video, 2024
LHH-2023-PerformingRadicalDependency_07.jpg
Let Me Tell You About This $hoe, 2023. Performance documentation: prop of a found boot with ink-stamped textile, metal, & epoxy resin (photo: Pumice Raft & Brittany Carmichael)
LHH_2023_KeepingTime_33.jpg
Portrait: Dumm, hand-printed and sewn chromogenic prints from 35mm film (photo: Em Moore), Zalucky Contemporary
LHH_2023_KeepingTime_25.jpg
Stage Painting (after Nicolas Roerich), felted wool (photo: Em Moore), Zalucky Contemporary
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No Reasonable Offer Refused, watercolour and letraset on paper (photo: Em Moore), Zalucky Contemporary

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